KOMODO

In KOMODO, one enters a speculative, pre-subjective field of desire. An existence where nothing is clear. Where everything turns out to be unregulated. In which we try to give structure to everything. Hides a true search for nothingness. The movie loses control over affects and thoughts. It lets you hallucinate in the act of reshaping and re-visiting “what could happen’. It fragments individualistic modern day society into individual chapters. It carries you through a world where desire is the new currency and where a new species is born. KOMODO is a political acid trip.