Everyman and I / DE / 61’

Is it possible to get close to a person who sees his life's work as losing himself in his roles? How can a film portrait emerge when every image only contributes to further fictionalization? Who stands opposite each other when the line between fact and fiction blurs? Katharina Pethke looks back and dissects the past and her contradictory feelings about the celebrated actor Philipp Hochmair, reflecting on her own artistic and personal doubts